What’s Your Favorite Post-War Set? The MHCC Staff Picks

 

Mile High Card Co Staff Picks

When people ask what we at Mile High Card Company do for a living, we usually tell them, “Same thing we did in 6th grade, play with baseball cards!” Obviously it’s a quite a bit more complicated than that, but with all the hard work and dedication we put into consistently producing one of the finest auctions in the hobby, we still marvel at the quality of material that passes through our doors, whether it’s something we’ve seen over and over or a rare piece surfacing for the first time. Sadly, there are those in this industry that look at sports cards as merely a means to make a living, seeing just little pieces of cardboard encased in plastic to be bought and sold for profit. And while what we do won’t cure a wasting disease or solve the plight of hunger or global conflict, we do have a passion for the hobby that drives us to deliver a first-rate catalog time after time, presenting auction material the way we’d want it to be presented if we were the consignor. So as our new catalog auction gears up to begin on October 24th, we thought we’d share our “Staff Picks.” Presenting our favorite Topps sets:

 

Brian Drent – President and CEO: 1952 Topps

A traditionalist through and through! If you ever had a sit-down with Brian and just discussed baseball cards, you’d see that he sounds more like a collector than an auctioneer. I expected Brian to pick this set for two reasons: respect for its importance to the hobby and the challenge of building it in high grade. There are so many layers to the ’52 Topps set that it’s almost a separate hobby within the hobby. Of course, there’s the Mickey Mantle card, the lead issue of the enigmatic high-number series, a 97-card collection that has its own folklore. Then there’s the “why him?” card #1 Andy Pafko, the handful of commons that are inexplicably difficult to find in high-grade, and the back variations of the low series that make the 1952 Topps set seem like a dysfunctional family that somehow manages to get along perfectly when sitting around the dinner table at Thanksgiving. It’s easy to pick the ’52 set just for the Mantle, but there are so many other reasons as well!

Ben Gassaway – Auction Coordinator: 1953 Topps

I was a little surprised that Ben chose the 1953 Topps set, but I can understand why. Sure, the 1952 set gets most of the accolades as the inaugural issue and the birthplace of the iconic Mickey Mantle card, but if we’re really being honest with ourselves, there’s no better assemblage for sheer aesthetics than the ’53 series. The intricate detail of the player depictions on each card far surpasses the quality of the 1952 set, right down to the advertising on the outfield fences in the backdrop of most issues. While it doesn’t carry the financial swagger of the ’52 set with virtually all of the potential for key rookie issues gobbled up by the premier series, the ’53 set is easier to build in high-grade than its predecessor, has a tough but not crazy-hard high-number series, a smaller 274-card size, and a smattering of short-prints that make life more interesting. Plus it’s got Mantle, Mays, J. Robinson, and the addition of a Satchel Paige card that are arguably the best looking issues ever produced for each player.

Mitch Rosenberg – Senior Writer: 1957 Topps

I might have gone with the 1955 set if not for one thing that’s unfortunately a deal-breaker: no Mickey Mantle card. But to me, the 1957 Topps set is the complete package. At 407 cards, it’s large enough to present a challenge but small enough so that you won’t have to lose your mind trying to find those last six cards to complete it. It’s the first Topps set with live, on-field shots that lend an authenticity to the series, as if you’re at the ballpark taking the photo yourself. It’s also loaded with great rookie cards of Hall of Famers: Drysdale, Mazeroski, Herzog, F. Robinson, B. Robinson and Bunning, in addition to the debut of Colavito, Richardson and Kubek. It’s got a tougher mid-series that provides a touch of card-collecting drama, a Mickey Mantle card that’s one of the best, and a “Yankee Power Hitters” card that closes out the collection in style. Yeah, if we were using today’s vernacular to sell this set, the slogan might be, “1957 Topps: it just got real!”

Kyle Boetel – Generalist: 1967 Topps

Though revered as the first set he ever collected as a kid, Kyle has plenty of great points as to why the 1967 Topps series is his favorite. Like the ’53 Bowman Color collection (his second choice), the ’67 Topps series offers amazingly bright and precise color photographs that far surpassed any that came before it. The 609-card series also features key rookie cards of Tom Seaver and Rod Carew with a high-numbers series filled with difficult but attainable cards in top grade. There are even a few quirky variation cards that are fun to collect if you can find them, and a classic portrait shot of Mickey Mantle against a baby-blue backdrop that many collectors think is his most attractive card of the decade. Unfortunately, his dog took a piece out of the Mantle card he owned as a kid, but these things happen.

Whatever drives your passion, we at Mile High Card Company will continue to do our best in helping you achieve you card-collecting goals with the same enthusiasm for presenting material as you have for collecting it. When that catalog hits our hands for the first time, as it will again very soon, we still feel that adrenaline rush, and we already know what’s in it! As long as we still approach our trade with the same excitement for each catalog as we did for our first, we’re gonna continue to offer the best material with the respect it deserves. Good luck and good bidding!

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The 1953 Topps baseball set: A New and Improved Collection

Not long after the New York Yankees secured another seven game World Series championship over the Brooklyn Dodgers in the summer of ’52, Topps architect Sy Berger was hard at work, utilizing feedback gathered from the release of the inaugural Topps set to create an even better product for 1953. The “super-sized” pasteboards were praised by collectors, though the subpar colorization of the black and white images and limited success of the troubled high-number series left plenty of room for improvement. An even bigger problem was brewing in Philadelphia as Topps had the attention of rival Bowman, who would not only increase their card size for the 1953 collection but also file a lawsuit against Topps, alleging player contract violations. It was clear that in 1953, Topps was either going to make their mark or become the next victim to fall by the wayside.

Topps 2.0 – Making a classic even better

In order to improve the appearance of the players, Topps commissioned artist Gerry Dvorak to sketch and paint the likeness of each player. The result was a collection of memorable portraits and action shots, finely detailed with dominating images and warm flesh tones that, to this day, stands among the most admired in the industry. Even the background of each card was carefully crafted, capturing the feel of the stadium crowd and appropriate advertising that lined the fences. Jackie Robinson was moved to the pole position as card #1, with Roy Campanella, Pee Wee Reese, Mickey Mantle and Eddie Mathews also moving from the previous year’s high-number series to the ’53 set’s first series. This gave collectors an opportunity to quickly acquire many of the popular stars that they were unable to find the previous year.

As the court battle with Bowman over player contracts raged on, Topps was forced to continually make changes to their print plans, replacing players that they couldn’t get under contract by either “moving up” a player from the next series to the present one or double-printing a player in the existing series. There were also five cards from both the 1st and 2nd series that were moved back, creating “chase cards” that couldn’t be obtained until the next series was released. By the time Topps reached the late-season high number series, there weren’t enough contracted players for a complete run, so many more cards were double-printed, with six (#253, 261, 267, 268, 271 and 275) left out of the series entirely. Seemingly a mix of superstars and “no-name” players, the cards slated for double-printing were likely chosen randomly or left in the hands of the printer to decide. If left up to Topps, they surely would have gone exclusively with big name stars. After all, who’s going to complain about getting too many Mickey Mantle cards? As for the six missing subjects, one can only speculate who they may have been. But it should be noted that Richie Ashburn, Leo Durocher, Gil Hodges, Bob Lemon, Robin Roberts and Duke Snider all appear in the ’52 series and are absent in the ’53 collection.

With the dreadful centering issues plaguing the 1952 Topps high-number series largely corrected, a new wrinkle was introduced that would soon be added to the card collector’s vernacular; chipping. Though the attractive red and black nameplates that ran along two of the edges were met with overwhelming favorability, collectors soon realized that the colors easily flaked, making it a much more difficult task to keep their cards in pristine condition. As a result, only 30 cards from the entire set have graded PSA 10, and less than 1% of all submissions have reached the level of PSA 9. Ironically, Bowman countered with a “color” series revered by many as their best ever, but they fell to Topps once again in terms of sales, and a new king of the baseball card market was crowned!

#4 Ranked PSA Set Registry Collection – 8.41 Set Rating – offered in MHCC October 2015 Auction

Over the last 25 years, several small “finds” of high-grade 1953 Topps cards from Canada produced a modest cache of perfectly centered, chip-free pasteboards that received the blessing of PSA in the form of PSA 8 and higher grades. There’s little doubt that some of those premier examples made it into this complete assemblage. Presented in the October 2015 Mile High Card Company auction is a crowning achievement in card collecting, one of the finest 1953 Topps collections in existence. Nearly impossible to assemble today if started from scratch, this set ranks #4 on the PSA Set Registry with an overall 8.41 set rating. Every card in this collection carries a minimum grade of PSA 8, with #41 Slaughter, 77 Mize, 114 Rizzuto and 63 others graded PSA 8.5, and 54 cards graded PSA 9, including amazing MINT specimens of #27 Campanella, 37 Mathews, 61 Wynn, 66 Minoso, 76 Reese and 86 B. Martin. Included is a stunning PSA 8 example of Mickey Mantle, a card that has been riding the coattails of the 1952 Topps card to record-breaking prices each time one is offered. The most astonishing member of this collection is a breathtaking PSA 9 card of #224 Satchel Paige, one of the single finest specimens known to exist. Offered as a complete set as well as each card individually, with the higher total between the set price versus the sum of the prices of the individual cards determining the method of sale, this set is but one of many collections rating at or near the top of the PSA Set Registry that will be available in the MHCC October 2105 auction.

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